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Reviews

What Critics, Audiences, & Presenters Say...


about CAPACITY TO ENTER:

"A sexual adventure to an elusive but compelling spiritual destination...both comic and affecting...Sam's engaging ease as narrator and performer is a large part of what makes the show so charming...but it's her text that proves irresistible..."  The San Francisco Examiner

"Sam shows her wit and gift for well-crafted storylines as she navigates through social movements, Buddhist precepts, highland Tibetan trails, and three Bay Area lovers...A looping, lyrical performance...She excites and enlivens her audience with this Buddhist, feminist, queer, and quite fun meditation on lust and life."  San Francisco City Search

"CAPACITY TO ENTER stands bisexuality on its head...Bold, original, intelligent, and laugh-out-loud funny...immersing us in that age-old question: what then is the true path of the human heart?"  Leslie Kirk Campbell, Ripe Fruit School of Creative Writing

"You enact and complicate issues of gender, sexual orientation, race, and ethnicity in your work in a manner that invites students to analyze their own locations and how their attitudes toward difference have been shaped by our culture.  Many students told me that seeing your performance helped them raise questions that simply reading an essay or story would not have enabled them to do."  Joy S. Ritchie, Professor of English, Director of Women's Studies Program, University of Nebraska, Lincoln


about TAXI KARMA and THE DISSIDENT:

"A master storyteller...one of the best of the next wave of Asian American performing artists...she pushes the elasticity of the performance art genre into a mold for her own voice."  The Village Voice

"Conveys both the sorrow and beauty of a dispossessed culture. Truly a mesmerizing 'theatre of conscience' piece."  San Francisco Weekly

"A natural and winning performer."  San Jose Mercury News

"Her genius lies in her ability to inspire through storytelling."  Bay Area Reporter

"Compelling, unpretentious, ingenuous delivery."  Los Angeles Times

"It's as if Spalding Gray had made 'Swimming to Cambodia' without talking about himself as much....Personal journalism in dramatic form."  San Francisco Examiner

"I was impressed by the integrity of Canyon Sam's work...that her material matters greatly to her enriches its presentation with a strength and passion rare in commercial theatre. This quality, allied with her complete professionalism, makes for exciting art. Audiences deserve the chance to see work of this originality and merit."  Kathleen Weiss, Artistic Director, Women in View Theatre Festival, Vancouver, B.C.